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TIME: Almanac 1995
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<text id=93TT1726>
<title>
May 17, 1993: From The Publisher
</title>
<history>
TIME--The Weekly Newsmagazine--1993
May 17, 1993 Anguish over Bosnia
</history>
<article>
<source>Time Magazine</source>
<hdr>
FROM THE PUBLISHER, Page 4
</hdr>
<body>
<p> Last month our art critic, Robert Hughes, was elected to the
American Academy of Arts and Sciences, a group founded in 1780
by John Adams, the country's second President, to allow people
of "genius and learning to cultivate the arts and sciences in
the new nation." Considered one of the most prestigious
scholarly institutions, its membership is heavily academic.
Along with Hughes, only 15 people in the fine-arts fields were
elected this year--among them cellist Yo Yo Ma, choreographer
Jerome Robbins and sculptor Richard Serra.
</p>
<p> Since 1970, Hughes has filled our magazine's pages with
vigorous commentary written at a high intellectual pitch. Yet
he never fails to make his subjects appealing and accessible--with humor, apt social context and, more than occasionally, a
rude remark.
</p>
<p> Still, an art critic can seem like a remote figure.
Christopher Porterfield, senior editor for the Art section,
knows better. "He's an inveterate phoner," says Porterfield.
"I'm used to hearing from him early--Bob is often writing at
5--and he gives me a declamatory reading of new work,
chuckling with pleasure. His enthusiasm is great. Especially
after 8 a.m."
</p>
<p> The essence of Bob's approach can be summarized in what
might be called Hughes' Laws, informal but very emphatic:
</p>
<p> 1. Art is pretty concrete stuff, it's not metaphysical
perfume. So be concrete.
</p>
<p> 2. Don't talk down to readers, and using jargon always
means talking down.
</p>
<p> 3. Art does not carry ideas the way a truck carries coal.
We shouldn't try to retrofit the art of 300 years ago with our
moral attitudes. The past is a very foreign place.
</p>
<p> 4. Above all, never pretend to have sensations from a work
of art that you haven't had. It's the greatest lie of all.
</p>
<p> Hughes' new book of essays, Culture of Complaint: The
Fraying of America (Oxford University Press), has just been
published. Next he'll write and narrate an eight-hour TV series
on American art, called American Visions. Working on it, he
became fascinated by how little Americans know about their early
art and its role in the nation's life. He recalls Adams'
contemporary, Thomas Jefferson, admiring the Maison Carree at
Nimes in France. Moved by its classical structure, he decided
it should be the model for the new capitol in Richmond,
Virginia. "Noble, astringent, eloquent," remarks Hughes, "just
what the new republic stood for." That's a series we'll tune in
to.
</p>
<p> Elizabeth Valk Long
</p>
</body>
</article>
</text>